For decades, the path for a successful public figure was predictable. You would build a name in sports, film, or music, and then you would wait for a phone call from a massive corporation. That corporation would offer you a check to hold their product, smile for a billboard, and perhaps film a thirty-second television spot. This was the era of the “face of the brand.” It was lucrative, but it was essentially a high-end form of temp labor. When the contract ended, the celebrity walked away with a fee, but the company walked away with the customer data, the brand equity, and the long-term profit. Michael B. Jordan, through the evolution of his agency Obsidianworks, has effectively declared that era over. He is not just appearing in the commercials; he owns the agency that writes the scripts, books the media, and manages the strategy.
In Denver, where the startup scene has historically been dominated by tech and outdoor recreation, this shift toward full-stack ownership is becoming increasingly relevant. We are seeing a move away from simple partnerships and toward deep equity. The story of Obsidianworks going fully independent in 2025 after buying out its minority partner, 160over90, serves as a blueprint for anyone trying to build a business that survives beyond their personal daily involvement. It is about moving from being an asset that is used by a system to becoming the system itself. This distinction is subtle but represents a massive change in how wealth and influence are generated in the modern economy.
When we look at the Denver market, from the tech hubs in the Denver Tech Center to the creative boutiques in RiNo, the lesson remains the same. Reliance on a single stream of income or a single point of failure—like your own personal time—is the biggest hurdle to scaling. Jordan and his partner Chad Easterling recognized that the real power in Hollywood was not in front of the lens, but in the strategic decisions made in the boardroom months before a campaign ever launched. By building a culture-powered creative agency, they positioned themselves at the top of the food chain.
Breaking Down the Obsidianworks Independence Movement
The decision to buy out a partner like 160over90 was a calculated move toward total autonomy. In the world of creative agencies, independence is often the difference between chasing quarterly targets for a parent conglomerate and actually taking risks on “culture-powered” ideas. For Obsidianworks, this independence meant they could double down on high-stakes projects like Instagram’s Met Gala activations or Nike’s massive footprints during NBA All-Star Weekend. They were no longer just a “celebrity-led” wing of a larger firm; they became a standalone powerhouse capable of competing with the biggest names in Madison Avenue.
For a business owner in Colorado, this mirrors the transition from a service-based freelancer to a firm owner. A freelancer trades hours for dollars. A firm owner builds a process that works while they sleep. Michael B. Jordan isn’t sitting in every creative brainstorm for a Spanx anniversary event at Art Basel, but his infrastructure is. The agency represents a scalable platform that produces value regardless of whether Jordan is filming a movie in Europe or taking a break. This is the essence of building a “machine” rather than just a career.
The client list for Obsidianworks isn’t just a collection of big names; it’s a list of cultural gatekeepers. Working with Nike and Instagram requires a level of trust that goes beyond just having a famous co-founder. It requires a team that understands the nuances of modern consumer behavior. This is where many businesses fail. They focus on the product but ignore the cultural context in which that product exists. Obsidianworks succeeded because it didn’t just sell Nike shoes; it sold the feeling of the All-Star Weekend and the specific energy of the basketball community.
Transitioning from Fame to Foundational Business Logic
Chad Easterling’s latest venture focuses on helping other high-profile individuals make this same leap. It is a strategic advisory designed to turn “faces” into “platforms.” While most people reading this might not have millions of followers, the logic applies to the local Denver professional just as much. If you are a high-performing real estate agent, a top-tier consultant, or a successful restaurant owner, you are likely the “face” of your brand. If you stop working, the revenue stops. The goal of a platform is to decouple your personal presence from the generation of revenue.
This involves several moving parts that Obsidianworks has mastered. First, there is the media component. In the digital age, every company needs to function like a media company to some extent. You have to tell a story that people want to follow. Second, there are investment vehicles. This means taking the profits from your main business and putting them into assets that grow independently. Finally, there are equity-driven ventures, where you own a piece of the companies you help grow rather than just taking a flat fee for your services.
Imagine a local Denver fitness influencer. The old model was getting paid $500 to post a picture of a protein powder. The Obsidianworks model would be starting a creative agency that handles the marketing for five different protein companies, while also owning a 10% stake in a new gym franchise. One model is a job; the other is a legacy. Jordan has shown that even in an industry as volatile as entertainment, you can create stability by owning the means of production. This is a concept that dates back to the industrial revolution, but it has been modernized for the digital and cultural era.
The Denver Context: Why Local Strategy Matters
Denver is currently in a unique position. It’s no longer just a “cow town” or a quiet mountain city; it’s a global destination for talent and capital. As more people move to the Front Range, the competition for attention increases. Business owners here can no longer rely on just being “the local guy.” They need to adopt the same sophisticated infrastructure that Jordan is using in Los Angeles and New York. This doesn’t mean you need a multi-million dollar agency, but it does mean you need to think about your business as a system.
One way Denver entrepreneurs are doing this is by building localized ecosystems. Instead of just running a coffee shop, they are roasting their own beans, selling those beans to other shops, and perhaps even owning the building where the shop is located. This “vertical integration” is exactly what Jordan did. He realized that if he was going to be the one making the campaign successful, he might as well own the company that gets paid to create the campaign. It’s a way of capturing more of the value that you are already creating.
We see this in the Colorado tech scene as well. Founders are moving away from the “exit at all costs” mentality and toward building sustainable companies that own their niche. They are focusing on “culture-powered” growth—building communities around their software or hardware. This is the same secret sauce Obsidianworks uses. They don’t just broadcast messages; they engage with specific cultural moments that feel authentic to their audience. In a city like Denver, where authenticity is highly valued, this approach is far more effective than traditional, corporate-style advertising.
The Mechanics of Building a Value-Generating Machine
The phrase “machine that generates value” sounds like corporate jargon, but it’s actually a very practical way to look at business. A machine has inputs, a process, and outputs. In Michael B. Jordan’s case, the input is his cultural insight and network. The process is the team at Obsidianworks and their creative strategy. The output is a world-class marketing campaign for a brand like Spanx. The key is that the “process” part—the team and the strategy—is what creates the value, not just the “input.”
To build a similar machine in a local market like Denver, you have to start by identifying what part of your business is currently dependent on you. If you are a lawyer, is it your ability to litigate, or is it your firm’s reputation for winning? If it’s the latter, you have a machine. If it’s the former, you have a job. Moving toward the Obsidianworks model means documenting your processes, hiring people who are better than you at specific tasks, and focusing your time on the high-level strategy that only you can provide.
Jordan’s partnership with Chad Easterling is also a lesson in collaboration. No one builds a machine alone. Jordan provided the vision and the initial spark, but Easterling provided the operational expertise to make the agency run day-to-day. Many entrepreneurs struggle because they try to be both the visionary and the operator. Usually, you are only one or the other. Finding a partner who complements your skills is how you go from a small operation to an independent agency that buys out its partners.
- Identify the creative and strategic assets you already own but aren’t fully utilizing.
- Look for opportunities to move from a fee-for-service model to an equity-based model.
- Build a team that understands the cultural nuances of your specific target market.
- Focus on independence so you can make long-term decisions without outside pressure.
The Shift from Endorsement to Ownership
Endorsements are temporary. They are based on a moment in time where your “stock” is high. Ownership is permanent. It creates a foundation that can withstand the ups and downs of a career or an economy. When Jordan moved Obsidianworks to a fully independent status, he wasn’t just making a financial move; he was making a statement about control. He wanted to be the one deciding which brands to work with and how to tell those stories.
This shift is happening across all industries. We see it with professional athletes who are starting their own venture capital firms. We see it with YouTubers who are launching their own snack lines instead of just doing “sponsored by” segments. The common thread is the realization that the platform is more valuable than the person. In Denver, this might look like a local chef who launches a line of sauces sold in grocery stores across the state. The chef can’t be in ten kitchens at once, but their “machine”—the production and distribution of the sauce—can be in a thousand homes at once.
The beauty of this model is that it rewards expertise and creativity over just raw effort. It encourages people to think deeply about how they can add value to the world in a way that doesn’t exhaust them. Jordan is still an actor—he still stars in movies and stays busy on set—but he no longer has to worry about where his next check is coming from. He has built a diversified portfolio of businesses that support each other. The media company helps the agency, and the agency helps the investment vehicle. It’s a closed loop of value.
Real-World Application for Denver’s Growing Economy
Denver’s economy is currently transitioning from a regional hub to a national player. This means the stakes are higher, but so are the rewards. For someone operating a business in the Cherry Creek area or the suburbs of Aurora, the Obsidianworks story provides a high-level goal to aim for. It’s about professionalizing your passion. It’s about taking the things you are naturally good at and building a structure around them so they can grow.
One of the most impressive parts of the Obsidianworks story is the work they did with Spanx at Art Basel. This wasn’t just a party; it was a 25th-anniversary celebration of a brand that changed an entire industry. It required a deep understanding of fashion, art, and commerce. This is “culture-powered” marketing at its finest. In Denver, we have cultural moments all the time—the Great American Beer Festival, the Cherry Creek Arts Festival, or even the energy around the Denver Nuggets. Businesses that can tap into these moments with the same level of sophistication that Obsidianworks brings to Art Basel will be the ones that win.
Building this kind of agency or business requires a long-term view. It didn’t happen for Jordan overnight. It took years of building Obsidianworks alongside his acting career, choosing the right partners, and eventually having the capital and the confidence to go fully independent. Denver business owners should take heart in this. Success isn’t about the one big “break.” It’s about the gradual accumulation of assets and the steady improvement of your “machine.”
Ownership as a Form of Creative Freedom
Ultimately, why does Michael B. Jordan care about owning an advertising agency? He’s already wealthy and famous. The answer is creative freedom. When you own the infrastructure, you don’t have to ask for permission. You can tell the stories you want to tell. You can support the causes you care about. You can hire the people you believe in. For Jordan, Obsidianworks is a way to ensure that the “culture” being used in marketing is being handled by people who actually understand and respect it.
In the Denver business community, we often talk about “giving back” or “community involvement.” Ownership is the most powerful way to do that. When you own a successful, independent business, you have the resources to invest in your city. You have the power to create jobs and mentor the next generation of entrepreneurs. Jordan and Easterling are already doing this by helping other talent evolve into business platforms. They are creating a “multiplier effect” where their success helps others succeed.
The transition from “face” to “owner” is not just a financial strategy; it is a psychological one. it requires a shift in identity. You have to stop seeing yourself as the worker and start seeing yourself as the architect. This can be difficult for people who have found success through their own personal talents. But as the Obsidianworks story shows, the rewards are well worth the effort. You gain a level of autonomy that no endorsement deal could ever provide.
Establishing a Scalable Business Platform
The idea of a “scalable business platform” can seem a bit abstract, so let’s ground it in reality. A platform is something that allows other things to happen. In the case of Chad Easterling’s new strategic advisory, the platform is the set of tools, connections, and strategies that allow a celebrity to launch a media company or an investment fund. It’s the foundation. Without it, you’re just a person with an idea. With it, you’re a business with a future.
For a business in Colorado, building a platform might mean creating a proprietary technology that your competitors have to license. It might mean building a massive email list and a loyal community that allows you to launch new products with zero advertising spend. It might mean creating a training program that turns entry-level employees into world-class managers. Whatever it is, the goal is to create something that has a life of its own.
Jordan’s “brand machine” is a platform because it can take a brand like Instagram or Nike and give them a direct line to the “culture.” That is a service that will always be in demand. As long as brands need to stay relevant, they will need agencies like Obsidianworks. By building a platform that solves a permanent problem, Jordan has ensured that his business will remain relevant for decades, regardless of what happens in his acting career.
The Importance of Cultural Power in Marketing
We live in an age where traditional ads are being tuned out. People use ad-blockers, skip commercials, and ignore banners. The only thing that still gets through the noise is culture. When a brand does something that feels authentic to a specific community, people notice. Obsidianworks calls this being “culture-powered.” It means they don’t just look at data; they look at people. They look at what people are wearing, what they are listening to, and what they care about.
Denver is a city with a very specific culture. It’s a mix of rugged individualism, environmental consciousness, and a growing urban sophistication. A “culture-powered” agency in Denver would understand that a campaign for a mountain bike brand should feel different than a campaign for a new downtown high-rise. They would know the difference between “Red Rocks energy” and “LoDo energy.” This level of nuance is what separates the big agencies from the ones that are just going through the motions.
By owning the agency, Jordan ensures that his cultural insights aren’t filtered through five layers of corporate bureaucracy. He can go directly from an idea to a campaign. This speed and authenticity are what big brands are willing to pay for. They are tired of the old way of doing things, and they are looking for partners who can help them navigate the complex world of modern culture. Obsidianworks provides exactly that.
Modernizing the Strategy for Local Growth
If you are looking at your own business in Denver and wondering how to apply these lessons, start by looking at your “infrastructure.” Do you have a system for finding new customers, or are you just waiting for the phone to ring? Do you have a way to tell your story, or are you just a name in a directory? Do you own your “machine,” or are you just a part of someone else’s?
The biggest shift in the world of business is the move from “endorsement to ownership.” It’s the realization that being the star isn’t enough; you also want to be the one who owns the theater. Michael B. Jordan has shown us how it’s done at the highest level of Hollywood. But the same principles apply whether you are building a global creative agency or a local Denver service business. Focus on the system. Own the infrastructure. Build a machine that generates value long after you’ve finished your work for the day.
This path isn’t easy. It requires more risk, more capital, and a lot more work in the short term. But the long-term result is a level of security and freedom that you can’t get any other way. In a world where things are changing faster than ever, the only way to stay ahead is to be the one who owns the change. That is the true lesson of Obsidianworks.
The evolution of Michael B. Jordan from an actor to a business mogul is not just an inspiring story; it’s a warning to those who are still relying on the old models of business. The world is moving toward ownership. Those who realize it now will be the ones who lead the economy of tomorrow. Whether you are in Hollywood or here in Denver, the time to start building your own brand machine is now.
As Denver continues to grow and evolve, the opportunities for ownership will only increase. We have a vibrant community of creators, thinkers, and builders. By adopting a mindset of independence and infrastructure, we can ensure that our local economy is not just a collection of jobs, but a network of powerful, sustainable platforms. The goal is to create something that lasts—something that, like Obsidianworks, can stand on its own and continue to shape the culture for years to come.
This is the new standard. It’s no longer about who you know or how famous you are. It’s about what you build and what you own. Michael B. Jordan has set the bar high, but the blueprints are now available for anyone willing to do the work. The shift from endorsement to ownership is here, and it’s changing everything.
